By Shayna Samuels
After years of dancing and trapeze work with Joan Skinner and Robert Davidson, Seattle resident Mark Lynd was tired. He had chronic aching in his shoulders, lower back, and arms. His energy was low and his creativity was stifled. Then he discovered Qi Gong.
Qi is the Chinese word for energy or life force, similar to what Indian yogis call prana. Gong means to work, or to gain skill through practice. “It’s a method of cultivating and moving the life force throughout the body to open up the meridians and the energy centers,” says Lynd, who started studying it in 1989. “It improves your health, your awareness, and will get you in touch with the spiritual side of yourself.”
Qi Gong (also spelled QiGong, Qigong, or chi kung) has existed as part of Chinese medicine for thousands of years, along with herbs, acupuncture, and massage. It works to rejuvenate the body, mind, and spirit through a variety of physical postures, movement sequences, breathing exercises, and meditation techniques. Lynd, who is an ongoing student as well as a teacher at the Ling Gui International Healing Qigong School in Seattle, feels this practice can be particularly helpful to dancers, who naturally have a lot of qi.
A former STREB dancer and current teacher of Dragon’s Way Qi Gong in New York City, Christine McQuade agrees. She also had chronic pain in her muscles and joints after five years of performing STREB’s “pop action” technique, which involved running into walls and spinning upside down in gravity-defying contraptions. Now, after practicing Qi Gong for seven years, she has never felt better. “It was like I went from seeing in black and white to seeing in color,” she says.
McQuade is convinced that the entire dance world would be revolutionized if more dancers experienced Qi Gong. Not only is this ancient practice capable of healing the body, but she believes it can also serve as a source of creative inspiration.
There is no typical Qi Gong class because there are several types of Qi Gong and the practice is tailored to an individual’s needs. Someone who suffers from lethargy, for example, may be instructed to jump up and down or do vigorous breathing exercises. Someone who is hyperactive may be encouraged to sit in a chair for an hour and focus on slowing the breath. There are often opportunities for improvisation, allowing the body to move instinctively. Sessions can be taken privately or in a group.
Here are some of the ways Qi Gong can benefit dancers.
McQuade warns that dancers may dismiss Qi Gong as being too simple for them at first, since many of the exercises involve moving very slowly or not at all. “I was so used to judging the value of movement by how complicated it is from the outside,” McQuade says. “But the more I started slowing down, the more I discovered all of the incredible movement that happens on the inside.”
Shayna Samuels is co-founder of the Mothership Yoga Lounge in Truth or Consequences, NM.