Rant & Rave

Dancer Voices

Op-Ed: Should Dancers Say Yes to Every Opportunity?

Amy Jordan

A red velvet stage curtain

Op-Ed: How to Save a Doomed Geisha

Phil Chan

A view from the sidewalk of a building with glass plate windows. Across the windows, the words "Exorcism = Liberation" are printed in large black capital block letters on a red background.

Yanira Castro’s Exorcism = Liberation Is a Public Art Campaign for Divided Times

Lauren Wingenroth

Carr, a Black man with a small goatee wearing a green t-shirt, jeans, and gold hoop earrings, is caught mid-gesture as he leads a class of dancers in a brick-walled studio.

“Playground” Star Dexter Carr on When Dance Gets the Reality Show Treatment

Olivia Manno

The cast of HBD/HPU are in a large circle around a piano; everyone extends a pointed finger to the sky as they rehearse vocals. Some performers stand, others sit in folding chairs, everyone is masked.

Kayla Hamilton on Disability as Method and Access as Artistry

Nicole Loeffler-Gladstone

A large group of dancers in grey and gold costumes strike exuberant poses on a massive, intricately carved marble staircase.

A Strike Threat, Scaffolding, and Last-Minute Changes: What It Was Like Dancing in the Olympic Opening Ceremony

Jennifer Heimlich

Dorfman holds Race by the hands as she leans ecstatically backward, hinging from her knees, the cape of her white costume fanning out underneath her.

Choreographer David Dorfman on Magical Risk and Radical Empathy

Karen Hildebrand

Denton, wearing a loose white shirt and black pants, stands at the rim of the Canyon on a brilliantly sunny day, her legs planted in a wide second position, looking out over her extended left arm.

Dancing Across the Solar System as the Grand Canyon’s Astronomer in Residence

C. Adeene Denton

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