Dancer Voices

Sperling, wearing a long black sleeveless dress, her short grey hair loose, stands onstage against a blue backdrop. She looks out to her right, with her left arm bend in front of her at a right angle. She holds her right arm up behind her, holding what appear to be two long white cords, which extend out of the frame.

Dancer Voices

How the Federal Funding Freeze Nearly Upended Jody Sperling/Time Lapse Dance’s Egypt Tour

Jody Sperling As Told To Jennifer Heimlich

Vetra is pictured from the waist up, in classical Indian dress, her hands raised elegantly in front of her face. She smiles ever so slightly.

Dancer Voices

For 101-Year-Old Vija Vetra, Dance Is a Symbol of Life Itself

Kathryn Holmes For Dance Teacher

Young woman standing out, stationary in motion blurred crowd

Dancer Voices

Op-Ed: Should Dancers Say Yes to Every Opportunity?

Amy Jordan

A red velvet stage curtain

Dancer Voices

Op-Ed: How to Save a Doomed Geisha

Phil Chan

A view from the sidewalk of a building with glass plate windows. Across the windows, the words "Exorcism = Liberation" are printed in large black capital block letters on a red background.

Dancer Voices

Yanira Castro’s Exorcism = Liberation Is a Public Art Campaign for Divided Times

Lauren Wingenroth

Carr, a Black man with a small goatee wearing a green t-shirt, jeans, and gold hoop earrings, is caught mid-gesture as he leads a class of dancers in a brick-walled studio.

Dancer Voices

“Playground” Star Dexter Carr on When Dance Gets the Reality Show Treatment

Olivia Manno

The cast of HBD/HPU are in a large circle around a piano; everyone extends a pointed finger to the sky as they rehearse vocals. Some performers stand, others sit in folding chairs, everyone is masked.

Dancer Voices

Kayla Hamilton on Disability as Method and Access as Artistry

Nicole Loeffler-Gladstone

A large group of dancers in grey and gold costumes strike exuberant poses on a massive, intricately carved marble staircase.

Dancer Voices

A Strike Threat, Scaffolding, and Last-Minute Changes: What It Was Like Dancing in the Olympic Opening Ceremony

Jennifer Heimlich

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