Celebrate Jerome Robbins' Would-Be 100th Birthday With 10 Rarely-Seen Photos

2018 has seen an endless parade of celebrations in anticipation of Jerome Robbins‘ centennial—and now the day has finally arrived. In honor of what would have been his 100th birthday, we dove into our photo archives and selected a few favorite shots of the choreographer whose career defined (and redefined) American dance. A young Robbins, […]

Why NYCB's Russell Janzen Is Taking On Gender-Bending Side Projects

There is no big mystery to why Russell Janzen is often cast in princely parts at New York City Ballet, roles like the cavalier in Diamonds and The Nutcracker, Siegfried in Swan Lake, and the man who partners the “first violin” in the slow movement of Concerto Barocco. His dancing is pristine, and he’s tall […]

Where Are Today's Dynamite Ballerina Roles?

“Ballet,” said George Balanchine, “is woman.” Throughout his long choreographic career, he placed the ballerina at the center of the action, and all eyes were on her. There are numerous examples, from Mozartiana to Theme and Variations, Square Dance and Chaconne. In this sense, Balanchine was carrying on the tradition of Marius Petipa and other […]

Morning Moves: How 5 Professional Dancers Start Their Day

The way you start your morning can set the tone for the rest of the day. Establishing a productive and mindful morning routine can leave you feeling relaxed, grounded, and ready to take on the day ahead, no matter how busy. We asked five professional dancers to share what they like to do each morning […]

What Wendy's Watching: Arthur Mitchell Blazes an International Trail

When Arthur Mitchell set out to prove that African Americans could excel in ballet, there were many skeptics. He not only created a world-class ballet company—Dance Theatre of Harlem—but he launched a discussion about race and ballet that we are still engaged in. Who was Arthur Mitchell and how did he get the chutzpah to […]

Remembering Karin von Aroldingen, Balanchine Muse and Legacy Keeper

“My whole mission in life is to keep Balanchine’s work alive,” says former New York City Ballet dancer Karin von Aroldingen in Frances Mason’s I Remember Balanchine, a collection of interviews by George Balanchine’s friends and colleagues. Her words feel especially potent now—and never more true. On Friday, January 5, news came to light that […]

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