A dancer’s long leg reaches skyward as she tilts daringly far off pointe, before launching into a rapid-fire string of intricate steps. Her slinky upper body contrasts with the highly technical classicism of her legs. Her movement has a sense of expansive freedom that’s at once gutsy and elegant. If this aesthetic sounds familiar, that’s […]

Watching Hope Boykin dance is like watching a musical score come to life: Her speed, her clarity, and her innate understanding of music have captivated audiences for more than three decades. But that outwardly spectacular performer has always nurtured her inner voice, too. In her post-performance life, Boykin has begun to share that voice through choreography, spoken word, and writing.

“I just kind of fell in love with the program,” says Rhoden,­ who has a long history teaching and choreographing in higher ed settings, including at New York University, The Juilliard School, University of California Irvine, Skidmore College, and the University of Mississippi. At Chapman, he says, there was “a great vibe in the studio and in the program and the people.”

In response to a national reckoning with racial injustice, Complexions Contemporary Ballet makes a powerful contribution to the conversation with its film “Black is Beautiful.” The company’s artistic directors Dwight Rhoden and Desmond Richardson choreographed movement to a spoken word piece by poets Terrell Lewis, Aicha Therese, Mr. Reed and Poetess Jess. An introduction prefacing […]

With how rapidly the performance landscape has shifted—and continues to shift—as the world grapples with COVID-19, looking ahead can feel fraught. Many artists, organizations and presenters remain in holding patterns. Nevertheless, we wanted to celebrate the projects that have been announced that excite us, even if their details (in particular, their planned performance dates) are […]

Just before retiring in 2015, Sylvie Guillem appeared on “HARDtalk with Zeinab Badawi,” the BBC’s hard-hitting interview program. Badawi told Guillem, “Clement Crisp of the Financial Times, 14 years ago, described your dancing as vulgar.” Guillem responded, “Yeah, well, he said that. But at the same time, when they asked Margot Fonteyn what she thought […]

The first week of San Francisco Ballet’s Unbound: A Festival of New Works was all about new ballets, with 12 world premieres by the likes of Justin Peck, Dwight Rhoden and Annabelle Lopez Ochoa. The second weekend provided time to reflect, as artists and influencers gathered for “Boundless: A Symposium on Ballet’s Future.” Dance Magazine […]

The ballet world will converge on San Francisco this month for San Francisco Ballet’s Unbound: A Festival of New Works, a 17-day event featuring 12 world premieres, a symposium, original dance films and pop-up events. “Ballet is going through changes,” says artistic director Helgi Tomasson. “I thought, What would it be like to bring all […]