Indiana University Removes Offensive Caricatures in New Productions of The Nutcracker and La Bayadère
How can we honor and preserve history without repeating the same mistakes over and over? How can we reimagine classics to center a variety of voices and speak to diverse audiences—not simply to avoid offending anyone, but to actively invite and include everyone? How can we propel the dances we know into a new era, so they—and ballet—can flourish into the future?