Lauren Wingenroth

Okwui Okpokwasili stands beneath a overhead lamp on an otherwise darkened stage. A figure standing behind her cups a hand around the base of her skull. Another standing in front of her cradles the side of her face with one hand.

News

Okwui Okpokwasili On Her New Work for the “Edges of Ailey” Exhibition, Let Slip, Hold Sway

Lauren Wingenroth

A diverse group of five adults wearing masks and a service dog dance in a bright room. One person is seated in a chair, another is sitting in a wheelchair, a third is dancing with a cane.

News

How We Move Offers a New Kind of Intensive Designed for Disabled and Multiply Marginalized Artists

Lauren Wingenroth

A colorful cluster of 10 dancers interlock, some lunging and others arching back as their arms fill each other's negative space and curve overhead.

News

Why the National Dance Project Is Ending in Its Current Form, and What That Means for the Field

Lauren Wingenroth

A figure stands silhouetted in the dull, greenish light of a parking garage. They lean forward, hair falling around their face as they look toward their shoes. They wear a backpack.

Cover Story

Oona Doherty’s Raw, Honest Dances Have Made Her One of the Dance World’s Buzziest Choreographic Stars

Lauren Wingenroth

Donald Byrd directing dancers in the studio. He lifts his arm above his head to match the dancers' movement

Career

5 Artists Who Received Large Grants Share How Their Lives Changed—and How They Did Not

Lauren Wingenroth

A female dancer wearing an EMS suit and standing in a parallel passe position. A male instructor is guiding her.

Health & Body

Is Electrical Muscle Stimulation Training Good for Dancers?

Lauren Wingenroth

A view from the sidewalk of a building with glass plate windows. Across the windows, the words "Exorcism = Liberation" are printed in large black capital block letters on a red background.

Dancer Voices

Yanira Castro’s Exorcism = Liberation Is a Public Art Campaign for Divided Times

Lauren Wingenroth

Calvin Royal III poses in arabesque, standing leg in plié and working side arm in a high alongé. He is in a studio with large windows and dark marley; a piano sits in the back corner.

News

Calvin Royal III Makes His New York City Curatorial Debut With The Joyce Theater’s Ballet Festival

Lauren Wingenroth

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