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The Creative Process

How Dancer-Turned-Minister Adriene Thorne Brings Movement to Her Congregation

Tracy E. Hopkins

Lewis and Groff, both wearing black jackets and fedoras, rehearse in a dance studio on a slightly raised floor. Rows of folding chairs and a small band are visible in the background.

How Just in Time Choreographer Shannon Lewis Helped Jonathan Groff Earn a Chita Rivera Award Nomination

Chava Pearl Lansky

A large group of dancers wearing earth-toned unitards and long skirst rehearses in a wood-floored dance studio. Each dancer raises their left leg in turned-in attitude, extends their left hand in front of their torso with the fingers splayed, and holds their right hand in front of their mouth.

Why Charles Weidman’s “Lynchtown” Still Resonates Today

Zita Allen

A collage of two photos. On the left, Marie Basse-Wiles, wearing a bright yellow costume and headscarf, is caught mid-movement, her right arm and foot raised, smiling exultantly. On the right, Omari Wiles, wearing a silver and black sequined ensemble and a black fedora, is pictured onstage, looking down majestically at a cheering crowd, with his elbows bent slightly and his hands falling elegantly from his wrists.

Choreographer Omari Wiles on Collaborating With His Mom, Dance Luminary Marie Basse-Wiles

Cara Hagan

A black and white image of Fuller, a fair-skinned woman with curly hair wearing a dark, flowing dress covered with sparkling embellishments. She holds up the left side of her costume as she looks down at what appears to be a light near her feet. Its soft glow is setting her costume aglitter.

Obsessed with Light’s Co-Directors on Loïe Fuller’s Return to the Screen

Cara Hagan

Robert Battle dancing next to Jada Pearman in rehearsal

Robert Battle Crafts a Tribute to Carolyn Adams for Paul Taylor Dance Company

Kate Mattingly

Nadia Adame rehearses in the studio. She is a light-skinned Hispanic woman with brown hair in a ponytail; she is a cane user and wears a maroon tank top.

Nadia Adame on Merging Artistry, Accountability, and Sustainability at AXIS

Kate Mattingly

a male dancer holding the hand of a female dancer lying on the floor with another female dancer moving behind him

James Ady on Finding Magic in Teaching Adult Ballet Students

Kate Mattingly

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