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The Creative Process

What the Doris Duke Foundation’s Ashley Ferro-Murray Sees Missing From the Dance Funding Landscape

Kate Mattingly

Workshop participants of Recovery in Motion sit in a circle and lift their hands overhead.

Andréa Labbée on Facilitating a Workshop Series That Supports Addiction Recovery Through Movement

Guillermo Perez

amara tabor-smith dancing outside. She stands in front of a fence with barbed wire.

At Stanford, amara tabor-smith Explores a More Expansive Vision of Dance Education

Kate Mattingly

A male tap dancer performing on stage in front of a live band. His weight is in his left leg and his arms extend side.

Tap dancer Ian Berg Explores the Musical Potential of Tap Sounds in a New Jazz Album

Ryan P. Casey

Lewis and Groff, both wearing black jackets and fedoras, rehearse in a dance studio on a slightly raised floor. Rows of folding chairs and a small band are visible in the background.

How Just in Time Choreographer Shannon Lewis Helped Jonathan Groff Earn a Chita Rivera Award Nomination

Chava Pearl Lansky

Left: An African American woman wearing a ministerial robe standing in a church. Right: a young woman wearing a dance costume with puffy white details.

How Dancer-Turned-Minister Adriene Thorne Brings Movement to Her Congregation

Tracy E. Hopkins

A large group of dancers wearing earth-toned unitards and long skirst rehearses in a wood-floored dance studio. Each dancer raises their left leg in turned-in attitude, extends their left hand in front of their torso with the fingers splayed, and holds their right hand in front of their mouth.

Why Charles Weidman’s “Lynchtown” Still Resonates Today

Zita Allen

A collage of two photos. On the left, Marie Basse-Wiles, wearing a bright yellow costume and headscarf, is caught mid-movement, her right arm and foot raised, smiling exultantly. On the right, Omari Wiles, wearing a silver and black sequined ensemble and a black fedora, is pictured onstage, looking down majestically at a cheering crowd, with his elbows bent slightly and his hands falling elegantly from his wrists.

Choreographer Omari Wiles on Collaborating With His Mom, Dance Luminary Marie Basse-Wiles

Cara Hagan

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