News

Bouder, wearing a tutu with a red velvet bodice and white ribbon-lined skirt, is caught at the height of a huge saut de chat, her face beaming. The ribbons on the tambourine that she holds in her right hand stream out behind her.

Career

Ashley Bouder on the Ballets That Have Defined Her Career

Avichai Scher

Okwui Okpokwasili stands beneath a overhead lamp on an otherwise darkened stage. A figure standing behind her cups a hand around the base of her skull. Another standing in front of her cradles the side of her face with one hand.

News

Okwui Okpokwasili On Her New Work for the “Edges of Ailey” Exhibition, Let Slip, Hold Sway

Lauren Wingenroth

Two dancers in rehearsal mirror each other. They stand in B-plus, arms raised overhead with palms facing inward as they lean toward their standing leg.

News

6 Performance Offerings Worth Checking Out This February

Courtney Escoyne

Miriam Miller poses in a spotlight on a dark stage. Her standing leg is in plié, working leg propped on forced arch in front of her. She glances over her shoulder as she lifts her arms to the side, forearms and wrists curving upward. She wears a white unitard with an enormous black skirt belted at her waist, the fabric blanketing the entirety of the stage behind her. She wears a black wig cut to a bob.

News

News of Note: What You Might Have Missed in January 2025

Courtney Escoyne

News

NEA Grants to Dance Organizations Face an Uncertain Future After Funding Freeze

Rebecca J. Ritzel

Sperling, wearing a long black sleeveless dress, her short grey hair loose, stands onstage against a blue backdrop. She looks out to her right, with her left arm bend in front of her at a right angle. She holds her right arm up behind her, holding what appear to be two long white cords, which extend out of the frame.

Dancer Voices

How the Federal Funding Freeze Nearly Upended Jody Sperling/Time Lapse Dance’s Egypt Tour

Jody Sperling As Told To Jennifer Heimlich

A diverse group of five adults wearing masks and a service dog dance in a bright room. One person is seated in a chair, another is sitting in a wheelchair, a third is dancing with a cane.

News

How We Move Offers a New Kind of Intensive Designed for Disabled and Multiply Marginalized Artists

Lauren Wingenroth

Doug Fullington demonstrating a step for a group of dancers in the studio.

News

Doug Fullington on Awakening Pacific Northwest Ballet’s New Sleeping Beauty

Marcie Sillman

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