Tell Me Where It Comes From, Emily Coates’ new commission for Works & Process, was sparked by the discovery of an archival box housed at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, chronicling George Balanchine’s brief touchdown there in 1933.

Dance Magazine has been both a resource for and a reflection of the dance community since publishing its first issue (then titled The American Dancer) in 1927. As the magazine’s centennial approaches, we’ve been examining how the publication grew and changed over each decade, highlighting some of our most memorable covers. Next, a deep dive into the 1980s, a vibrant era of rule-breaking and exploring multimedia art.

Festivals, revivals, premieres, tours—the weather might be chilly, but performance calendars are anything but this January.

Calvin Royal III tries his hand at not just performing on a festival stage but curating it with UNITE, this year’s iteration of The Joyce Theater’s once-annual Ballet Festival.

Check out the performance highlights our contributors are most looking forward to this month, from historic recreations to brand new works.

Suzanne Farrell’s rise to ballet stardom happened with uncommon swiftness.

It may be winter, but there are plenty of premieres sizzling in the wings. Here are four shows we have on our radar this month.

Tamara Toumanova graced her first of several Dance Magazine covers for the May 1936 issue, when the publication was still called The American Dancer. Though only 17 at the time, she was already a seasoned soloist. She gave her first performance as a very young child mere months after starting ballet lessons in Paris, when […]