A group of dancers in matching t-shirts and tap shoes perform outside on rows of portable tap boards.

Tap City Returns to Celebrate Its 25th Anniversary With a Special Performance

In 2001, veteran tap dancer and producer Tony Waag welcomed audience members to the inaugural Tap City, the New York City Tap Festival, strumming a ukulele and singing “Dream a Little Dream of Me.” That dream of a successful festival became reality, and now Tap City will celebrate its 25th anniversary with a special concert running May 19–24 at The Joyce Theater in New York City.

Five male dancers and five female dancers perform in two clusters on either side of a purple-lit stage. The male dancers, bare-chested and costumed in white pants, face an upstage diagonal, left arms raised on a high diagonal as they look offstage. The female dancers, dressed in flowing white blouses and pants, lift their arms overhead, palms upturned, as they raise a flexed foot by their calves. Their chins are upraised as they look toward the men.

As His Company Celebrates a Milestone Anniversary, Ronald K. Brown Looks to the Future

When Ronald K. Brown was in second grade, he went on a school trip to see Alvin Ailey American Dance Theater, returned home, and made his first dance. Seeing his interest, his mother took him to the Bedford Stuyvesant Restoration Plaza in their Brooklyn neighborhood for a dance class. Fast-forward to today: Brown has choreographed seven works for Ailey, and his group, EVIDENCE, A Dance Company, has a long-time residence at the Billie Holiday Theatre at Restoration, where he also co-directs the Youth Arts Academy. Those full-circle moments—which he calls “divinely humbling”—are only two points on Brown’s laundry list of accolades stretching back four decades.

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